What you doing this weekend? How about tuning in to see yours truly play Shakespeare and the Duke of Ephesus in a virtual one-act rendition of Shakespeare’s Comedy of Errors? It’s free, but you have to register. Go to this link to find out all about it!!
The Comedy of Errors is believe by many scholars to be Shakespeare’s first play. Two sets of mismatched twins, separated at birth find themselves, unbeknownst to each other, together again in the same city. Much hilarity ensues as they are continually mistaken for one another.
I loved experiencing acting in my first virtual play, and it is Shakespeare!!!! Forever adaptable Shakespeare!!! Our director shows how necessity is the mother of inventive, engaging educational theater–our students are learning so much about how to produce great theater, even during a global pandemic.
So proud of our students and our theater department!!!
Remember when I said my mother had gone to the emergency room but was sent home? Well, she had to go back a few days later and was admitted. I went to Alabama for a week to be with her while she was in the hospital and get her settled when she came home. I stressed over trying to get the spring/summer 2021 edition of Teach. Write. published by April 1 until I reassessed my priorities. I contacted my wonderful writers and let them know I would have the new edition out by April 10.
And it’s here!!! Thank the good Lord for Spring Break!
Revised April 17, 2021
I hope you enjoy this edition of Teach. Write.: A Writing Teachers’ Literary Journal. Next, I will work on another long overdue episode of CAMPUS, my podcasted novel, available on Anchor, Spotify, and other podcast platforms.
I am a Type II diabetic. My husband is a health care worker. He has been fully vaccinated for over a month but is aware that working where he does he still might be a carrier of Covid-19. I had my first vaccination, made possible by my workplace, for which I am grateful, over a week ago. I will receive the second dose on March 30.
Because of my medical condition, I have been allowed to teach asynchronous and synchronous online classes this semester. I did not request this but am thankful that the dean in my division saw to it that I, as a person vulnerable to complications of Covid-19, had the choice to telework if I did not feel safe coming to campus.
In the fall of 2020, I worked from home most days, only going onto the campus to serve an hour in the Student Success Center to relieve my colleague so that she could have a lunch break. I volunteered to go on campus for that time. This semester, I have volunteered to work two days in the Student Success Center. I voluntarily treat these days as normal work days, usually arriving around 8:30 or 9:00 am.
Yesterday was one of those days. I came in later than I usually do, around 11:00 to serve a scheduled office hour, then in the Student Success Center, then mentoring a new faculty member, grading papers, a trip to the mailroom to pick up the posters for advertising this semester’s theater production. A break for lupper (lunch and supper) at 4:30ish and then back to my office for grading at 5:20 until rehearsal for the play (I play Shakespeare and the Duke of Ephesus–you should see my costume) until around 8:00pm.
During that time, one of my colleagues, who works in marketing, came to take pictures of all of the actors in costume. I was released after I and my fellow Shakespeare/Duke were photographed. (Our director double casts when needed so all who audition can have a chance to act). Other student and community actors, crew, director, and photographer were still there. I got home around 8:35 and talked to my husband a few minutes, but he was on call at the hospital, so he called it a night, hoping not to get called in. I stayed up a while longer to do my daily yoga routine, and check student e-mail one more time. I also have decided to learn Italian! I am using duolingo, a popular language-learning ap, to do so and also use the ap to brush up on my German. (I have a degree in German, but use it or lose it, they say).
Thursday, March 18, 2021–Today is a day I telework.
7:00 am–Rise, washed some dishes I was too tired to wash last night, made breakfast for my husband and me. We were both glad that he didn’t get called in last night.
7:50am–Ate breakfast and drank coffee while my husband read the weather and some amusing news to me. We chatted and laughed some. He always can make me laugh.
8:03 am–Started checking work e-mail. Answered two student messages made late last night. Skimmed a New York Time’s article by Judy Batalion called “The Nazi-Fighting Women of the Jewish Resistance.” Batalion lives in London and did her research for the article in The British Library. Oh. Tie into British Literature II. Filed the article to read more in depth later, knowing that I probably will not ever have time. Until summer.
8:10–My husband read a snippet of news about a man buying a porcelain bowl for $35 and how it sold at auction for $720,000. Lesson learned–Don’t underestimate anybody’s value, including your own. Continued checking mail.
8:20–Started checking in on my professional development class–a microcredential provided by the State of North Carolina through the Association of College and University Professors to faculty teaching the new RISE (Reinforced Instruction for Student Excellence) courses. I and a colleague have volunteered to take the course. No cost to the college, no cost to us. Plus, even though the course has just started, I am learning a great deal about improving online teaching for the special demographic of developmental students that I teach.
As I started checking this course, I got the idea for this blog post, so I took the time to set up the blog post, and write up my notes so far.
9:13–Break to walk up and down the stairs (to satisfy the fitbit monster), get some more coffee (to satisfy the caffeine addiction), and do other necessary things, like get dressed, make the bed, and clean my C-Pap equipment (I have severe sleep apnea–another reason I am high risk for complications due to Covid-19).
9:31–Checking in with my prof. dev. course will have to wait, but I have completed most assignments already and have until March 21 to complete the remaining two, so all is well. Good to know how my online students feel, though.
9:32–Checking e-mail again and prepping for my co-req courses.
9:47–All seems to be in order for today’s classes. I have two synchronous online classes on Tuesdays and Thursdays. I like working from home on these days because I can save time not having to get ready and drive to work. Then, there are the unavoidable frequent interruptions and distractions while at work. On these days when a big chunk of my day is in the virtual classroom, it just is more efficient for me to be at home.
During the few minutes of uninterrupted time, I was able to see that we are covering how to write sentences more concisely–ah, efficiency seems to be the word of the day, doesn’t it? I was also able to send a reminder through course announcements about the Collaborate session today and what we will be covering.
9:53–Checking my 11:00am class’s grades. The course I teach at 11:00 is ENG011–Writing and Inquiry Support. This class is relatively new and part of the Reinforced Instruction for Student Excellence (RISE) program that is offering the professional development class I’m taking. I think it’s a great idea, but it is too early to tell if RISE will work or not. I am seeing good results early on. (This is only the second time I’ve taught the co-requisite class, which is a support class for first-semester freshman composition students.) I am grateful to my immediate supervisor and my colleague who is the RISE coordinator for allowing me latitude to use my many years of experience with developmental education to develop, assess, revise, and re-assess the course, using my best judgment as a composition teacher for over thirty years while in accordance with the requirements of the State’s expectations. This is the fourth redesign of developmental classes since I began teaching at the college where I now work, all state-mandated.
I see that none of my students in ENG 011 are in danger of failing my class. I have been concerned about the performance of two students, however. I met with their instructor on Monday of this week to see how they are doing and to discuss strategies for their improvement. This is a best practice, according to the RISE training provided by the RISE coordinator at my college.
10:04–Checking to be sure that all grades, including zeros for work not attempted, have been recorded.
10:10–All looked good, so I will take another short break to walk up and down the stairs and put in a load of laundry.
10:22–Checking the grade book for my other ENG 011 class that will be at 2:00pm today.
10:30-Checked and saw that two students I have been concerned about continue to struggle. I talked with the instructor of one student earlier this week. After my 11:00 class, I will check the system to see who is English instructor is and shoot him or her an e-mail to set up a time to discuss the student’s performance in the ENG 111 class. Will take one last short break before logging on to class. As a diabetic, I need to have a snack at this time to keep my blood sugars regulated.
10:45–Logging onto the Collaborate session for my 11:00am class. Some students arrive early, so I like to be in the session to greet them. This class lasts until 12:20.
12:20–Class went well. We discussed the importance of writing concisely, which is a common issue with developmental English students who are often reluctant to write and will “pad” their writing in order to meet minimum word or page numbers. I like to use a handout I have found from UNC-Chapel Hill’s writing center to aid in my instruction: Writing Concisely. Then, I showed the students how to format their documents correctly using MLA8 formatting, which is standard in our English classes at Blue Ridge. I have found that developmental students often struggle with some of the details like this because they don’t see their relevance to their everyday lives, so while I am showing them how to format, I am also giving them my explanation of how following directions precisely and paying attention to detail is an important “soft skill” no matter what courses they study or profession they enter.
12: 21–Checked my e-mail and answered a long e-mail from a disgruntled student. It took some time to find the right tone to rectify the situation. As always, I offered to meet with the student, virtually or in person, to discuss the situation further. I find that this is a good way to avoid the “e-mail wars.” Sent an e-mail to that student’s ENG 111 instructor to be sure all was well in his class and to inform him of the student’s issue.
1:25–Checked e-mail again. Read the newsletter from the president of the college and other e-mail. Walked up and down the stairs a few times. Put clothes in the dryer.
1:40–Texted my daughter to see if she wants to go walking at the park this afternoon since the rain stopped and the sun is out.
1:45–Launched the Collaborate session and waited for students to arrive. Prepared to withdraw an ENG 011 student who was dropped from ENG 111 as required. I’m sorry about that. I think he was getting something out of my class. He was one of my most faithful attendees. One of my student’s who has been struggling came into class first and said he was thinking of withdrawing, that he is having trouble engaging in the online format. We discussed his options. I have heard this often from my students over the past year. Online learning is not for everyone. On the other hand, I have many students who never thought they would like online learning who are thriving–one of the main perks is the flexibility. Also, because of the pandemic, students are improving the skills necessary to be successful in an online environment.
2:00–Began the Collaborate session. I only have a few students in this Collaborate class, but we had an excellent class with true engagement. All explanations were made and students completed the work during the class time allotted, which is one of the State’s requirements for the co-requisite class. I like this because the support class should not add an inordinate amount of work to students who are already struggling to complete work in their ENG 111 class.
3:20–Drove to the park to walk with my daughter. It was wonderful. She is a delight. Just the break I needed.
4:45–Returned home and checked e-mail. Returned an e-mail from a student and one from a colleague.
5:00–Called the theater instructor to tell her that my daughter had volunteered to help with some of the short videos mentioned at rehearsal yesterday. She said she was just finishing up doing some re-writes of the script to eliminate the need for the videos that seemed like a good idea but were just going to be too time-consuming. I and the other Shakespeare/Duke will be doing some of the interludes she needs between scenes. She will discuss it some more with us during rehearsal on Monday.
5:26–Checked e-mail again. Nothing new. Prepared supper–Because it was pretty out and lighter later, I grilled some chicken, summer squash, and zucchini. My husband came home while I was grilling. While he relaxed a little, I finished grilling the food and completed some German exercises on the duolingo ap while I watched over the food. John and I enjoyed the dinner and a little time together.
7:25–Checked e-mail again. Noticed that I have more notifications for postings for my professional development course. Decided to grade some papers before I look at the postings by my fellow students.
8:40–Called my mother in Alabama. She had to go to the emergency room on Friday and still didn’t have tests back when I called earlier in the week, so I called to check up on her. She is better, thank goodness, but doctors still haven’t gotten down to the root of her problems. I hope when she sees her doctor on Monday they will be able to find out what’s going on.
9:30pm–Made an appointment with a friend to go walking. Checked work e-mail one last time. No e-mails from students. Going to check on my professional development course in the morning. Tuckered out, as my Great Aunt used to say, and going to bed.
10:12pm–I lied. I wanted to finish up this blogpost, and so it is now almost 45 minutes later. I also started thinking about my podcast. I had hoped to put out an episode a week, but now that I have started the two new 8-week courses, the grading load is just too heavy for me to get the work completed during normal working hours. I know I will have to grade some tomorrow and over the weekend, but I don’t have rehearsal on Saturday, so maybe I can squeeze in working on an episode of CAMPUS and get it out by Sunday evening.
In 1983 I wrote my senior undergraduate thesis comparing and contrasting the life and works of two great writers I’ve long admired–Franz Kafka and Flannery O’Connor. Both authors’ works are unusual to say the least. Franz Kafka’s “The Metamorphosis” begins with a man finding that he has been transformed into a giant insect; Flannery O’Connor’s “Good Country People” ends with a corrupt bible salesman seducing a strange young woman named Joy-Hulga and stealing her artificial leg.
Many question why a devoutly religious woman from Georgia would write stories with such unusual, grotesque characters and such unsettling, even shocking, plots. One person wrote O’Connor and asked her why she wrote the way she did. Her answer still speaks to me:
“To the hard of hearing you shout, and for the almost blind you draw large and startling figures.”
CAMPUS: A Novel That Wants to Be a Musical is my attempt to follow in the footsteps of O’Connor. It gives voice to my concerns about what is happening to higher education in this country. It is not intended to be my reality, but it is representative of a reality as I see it.
And lament it.
No, the campus in my novel is not representative of the campus where I work or any campus where I have ever worked or studied. The characters, even the human ones, are not descriptive of any person I have ever met. They are symbols only, but they serve my point and they speak for me.
They give me a voice again.
And it’s kind of a funny voice, I think.
The newest episode, that you can access at this link, introduces the fairy godteachers Belinda McBride and Brian Teasdale and features a song with music written and performed by Curtis McCarley, my good friend, former student, and composer for our play A Carolina Story. I had fun singing backup.
Another episode of CAMPUS is now available!! Click here to access all six episodes!
I wasn’t sure I was going to get out a new episode this week. I got kind of discouraged, feeling kind of down about the music part of this crazy podel project I’m doing. I have visions of what I want it to sound like, but I don’t have the musical ability or technological skills to make it happen, so Sunday, my normal day to publish a new episode, I just sort of gave up.
But yesterday, I had required conferences with some of my students. One young man who wants to be a nurse talked about taking difficult classes like anatomy and physiology along with two English classes AND working AND keeping his girlfriend’s children on track with online school work while she is at work. Another student works at a nearby hospital. She was tired because she had just gotten home, while her husband was leaving to go to work; he works at a hospital, too–2nd shift. She told me how she had Covid-19 a couple of months ago. She just received her second vaccine and the side effects have hit her hard. She had been told that might happen. You know, she still has gotten her work in on time and makes it to every online session that she can. Neither student has complained or offered excuses. They just keep on going.
I listened and felt ashamed. If they can persevere, then so can I. That’s why, after work, I went back to the drawing board and finished it. It’s not what I envisioned, but it’s from my heart–a heart that is thankful for the opportunity to teach these amazing people I call my students. This episode is dedicated to them.
In July 2000, then presidential candidate George W. Bush addressed the NAACP to discuss his plans for educational and economic reform, using the phrase “No Child Left Behind.” Despite how that infamous initiative turned out, the speech that introduced the idea was one of the best speeches I ever heard Bush give, maybe only second behind his speech at the Washington Cathedral after 9/11. Regardless of where you may fall on the political spectrum, George W. Bush’s call for educational equity should resonate with us all today.
Recognizing the continuing disparity between the rich and the poor despite the growing prosperity of the nation, Bush says, “Our nation must make new a commitment to equality and upward mobility to all of the citizens.” One of the ways to make this happen in Bush’s mind was to equalize educational opportunities for every American. That was the dream anyway. Introducing his plan, Bush refers to “the soft bigotry of low expectations,” of how we have become complacent in offering opportunities to all no matter what their position in society.
In the last few years of a long career as an educator, I find myself discouraged and even a bit despondent as we move ever away from the lofty goal set forward in Bush’s speech. In 2000, the community college was still a place where those, especially the traditionally underserved, could gain a quality education that would allow them to advance in society, perhaps gaining a two-year degree, qualifying them for a trade, or leading to the opportunities and rewards, both tangible and intangible, that come with further educational opportunities. The goal was not only to provide meaningful work through a real education but also to bring real meaning to their education apart from work, enriching their lives and their communities in the process.
However, a disturbing trend is increasing at alarming rates within our society, continuing its spread to our colleges and universities–the lowering of the bar for the sake of efficiency, and of course, cost effectiveness. Increased pressure from students, faculty, administrators, and society in general to make English classes easier. Decrease the requirements and the standard so students can get that piece of paper sooner. Make gateway English classes less rigorous (for their sakes, of course) because it is too hard for people who work, too hard for people with children, too hard for low income people, too hard for people who didn’t get a good high school education or who are still in high school or who have been out of high school for a while. We can’t expect OUR students to maintain Standard English in a college-level English class, can we?
Do you hear what I hear? It’s the soft bigotry of low expectations.
Do we expect less because it costs too much time and money to expect more? Do we not think our students are worth the effort to push for excellence in the name of true learning? We discriminate when we ask so little. It is demeaning and arrogant. Who are we to expect so little? In the Letter to the Romans Chapter 12, verse 3, Paul writes, “For by the grace given me I say to every one of you: Do not think of yourself more highly than you ought, but rather think of yourself with sober judgment, in accordance with the faith God has distributed to each of you” (New International Version). Are we, am I, thinking too highly of myself? Am I, are we, guilty of the bigotry of low expectations? Perhaps I am the chief of all sinners in this regard.
But I repent and encourage others in society to do so as well.
What are we really saying when we consider “meeting expectations” as equal to an A instead of the C it should indicate? Does our soft bigotry sound like this:
“It’s okay, Nondescript C Student, that you plagiarized the paper, even though I have provided sources, conducted classes on the subject, and provided workshops that you didn’t attend. You just didn’t know what you were doing. I see now that your academic dishonesty is my fault. I mean you work, right? You hate that job and need at least an associate’s degree to do what you really want to do for a living, but I get it. Who wants to really put in any effort to actually learn the subject when it’s a subject you are being forced to take and don’t enjoy at all? Yes, I think putting in some effort to actually read three pages in the text and view a five-minute video explaining in-text citations is a bit too much to ask when we are in the midst of a pandemic. I can’t expect you to have time with all that you are doing. I don’t really know what you are doing, but I know it must be way too much to find time for the education you say you want. You just want it on your terms, not your instructor’s, am I right?
“I’m probably not being flexible enough. Or explaining things well enough. Or maybe my online class is not designed properly. Or perhaps I am not considering your learning style sufficiently. In exchange for my poor pedagogy, let me just allow you to redo that paper. It won’t help you, but it will make me feel like I helped you, so I will feel better, and you will not feel frustrated and complain about me to my superiors, which will make them feel better. But first, let me mark every single error in the paper for you, so that you will not have to think about how to find problems in your writing and correct them. I mean, after all, you aren’t really going to need to know how to properly revise, edit, or document your essays because, I mean, really, how likely are you to go on and get your BA or BS?
“Besides, we need you to be trained for the type of job that people like us, and our children, don’t want to do. We need somebody to do these jobs. It will be easy with a little bit of training to find the type of employment that a person of your background is suited for. Do you even really need a liberal arts education for the kind of life you’re bound to lead? Why in the world should we as a society expect you to read and analyze a poem? Not that I would ever ask you to do such a thing. Read a whole novel by the fourteenth week of the semester? That’s unreasonable. You’re the first in your family to go to college AND you’re still a high school student AND you work AND it’s a pandemic. I can’t ask such a thing of you.
“Now, critically reading novels and poetry requires noticing small details as well as understanding figurative language (like sarcasm) and the nuance of language. That kind of deep reading, especially by authors outside of your demographic, leads to things like, I don’t know, developing empathy. But why would a person like you need to empathize with your fellow human beings during and after a global pandemic? Not really very practical, is it? Not with the economy in the shape that it is and people’s mental health deteriorating. I don’t want to inconvenience you or cause you more stress, so don’t let correcting a little ‘ole plagiarism infraction stand in the way of going to your low-paying, soul-sucking job. So, I am just going to ignore the little mistake of copying word for word from your source without quotations or in-text citation. I know you didn’t intend to do it. We’ll just forget it ever happened, shall we? It will be easier for all of us.
“And while I’m at it, I suppose I should have a meeting with you to help you make the revisions and edits that I have marked. Oh, you don’t have time for an in-person meeting at my appointment times and office hours? How about some other time? You don’t want to come to campus for an in-person meeting. How about a virtual one? A ten-minute phone call? Just don’t have the time? In that case, since you just need a C or above to pass on to the really important training that you will actually need in real life, let me just find some extra credit you can do to make up those measly eight or nine percentage points you need to have a C. (A person like you doesn’t need to know how to communicate clearly and effectively in English, do you? How will that help you get a job?)”
Okay, perhaps I am too carried away, but I had to get it out of my system. When I write in this satiric way, I hear the truth–too many of us who cling to our degrees, careers, businesses, and positions in society–who drive sedans and SUV’s, live in comfortable homes, enjoy financial security and a standing in society–too many of us who think so highly of ourselves are, in essence, only “insects on the leaf” as the Ghost of Christmas Present says, looking down on “our hungry brothers in the dust.”
And when, or if, our conscience is inconveniently pricked, we try to cover up our sin, by “making it easier” for the ragged rabble, requiring less and less and less of those poor, pitiful students. Sadly shaking our heads, we move to wipe every tear from their eyes, saying, “Well, really, what did we expect?”
HAPPY VALENTINE’S DAY! Another episode of CAMPUS: A Novel That Wants to Be a Musical is live on Spotify NOW!! And it includes, in true Valentine’s Day form, a love story!! Click here to access CAMPUS.
I am especially excited this week because I think this is my best episode ever! First of all, my daughter Hannah, who is a recent graduate of UNC-Asheville, earning her second degree, a BS in Music Technology, arranged, recorded, and performed Gabhaim Molta Brighde in Irish Gaelic for this week’s episode. Her BA was in Music with a Voice Concentration from Converse College’s Petrie School of Music. The value of her education, one in classic music and the other in advanced music technologies is truly apparent in her recording. I know what you’re thinking, but a mother gets to brag on her daughter on Valentine’s Day, and every other day, too, for that matter. Oh, by the way, she has a job IN MUSIC during a pandemic (not teaching), doing what she loves and was trained for. How do you like them apples?
I’m also hyped because it has been so much fun playing around with the technology that is making this dream of mine come true. This week, with the help of Audacity: free, open source, cross platform, audio software, I was able to record two songs and alter my soprano voice to sound first like a tenor and then a bass. It is a little freaky but totally cool. The second thing I did was download the sound effect of a shower running from freesound.org and add it to one of my recordings. I also laid down background music provided by Anchor, which calls itself the “easiest way to make a podcast,” and I believe it. Anchor is provided by streaming music giant Spotify as an open source podcasting platform. All of my episodes are published immediately on Anchor and Spotify as well as numerous other podcasting databases very easily and at no cost to me.
CAMPUS is my passion project, and I am doing it for fun, but I can also see all sorts of educational applications of the open source technology I am learning to use. I hope you will listen and tell others about my podel (That’s my word for podcasted novel.)
Don’t think I’ve forgotten about the other ongoing project I love, my literary journal Teach. Write. I have already accepted some incredible poetry and flash fiction for this issue, but there is still time to submit for the spring/summer 2021 edition. Submissions close on March 1, and the journal will be published on April 1. See the link above for submission guidelines.
Between work as a full-time English instructor at a community college and working on my newest project–podcasting my satirical novel CAMPUS, I haven’t had much time to blog, but soon I hope to squeeze in a post about my work with RISE, which stands for Reinforced Instruction for Student Excellence and has replaced developmental education in North Carolina. At first, I wasn’t too happy with the change (who likes change), but now that I am teaching RISE English classes and seeing some positive results, I see the advantages more and more. I also want to blog about teaching accelerated English composition classes–the good, the bad, and the ugly. Okay, tired allusion, but I’m tired, so it fits!
In the meantime, I hope you will listen to the latest episode of CAMPUS. Let me know what you think! However, no hate mail please. Satire is supposed to bite a little. Also, remember, THIS IS MY HOBBY. IT’S JUST FOR FUN, AND IT IS PURE FICTION! ANY RESEMBLANCE TO REALITY IS PURELY COINCIDENTAL.
Don’t forget that submissions for the Spring/Summer 2021 edition of Teach. Write. are being accepted until March 1. I would love to read your work. See above for the submission guidelines.
The third episode of my podel (podcasted novel) is now available. This episode includes two songs written by my composer and former student Curtis McCarley, who also composed the music for “A Carolina Story,” my first full-length play. Hope you enjoy!!