Today’s tally is 1,782 words for a total of 5,591. Not bad for three days of writing after a full day of crafting responses to students, grading British literature exams, and putting out various fires. Doesn’t make for much time to blog.
However, I can’t let the day go by without saying this: Academic freedom for faculty is not an option for any institution of higher learning. It is an absolute necessity. As the people hired due to our expertise in different subjects, we have an obligation to prepare our students for the rigors of the academic world if they are transfer students and the industry standards for our students that will go immediately into the workforce.
Furthermore, we should maintain that standard for ALL students regardless of their program of study, age, background, or obstacles. One standard for all student groups–regardless of their situation. We must also help ALL students reach that standard without regard to those factors; nevertheless, the standard must remain. It is in the classroom where that standard is supported, so it should be the ones who manage those learning environments, be they virtual or seated, who should decide, within the bounds of the course description established by the state, of course, how that standard is maintained.
Our accrediting body, the Southern Association of Colleges and Schools Commission on Colleges (SACSCOC) seems to agree. In Section Six of the Principles of Accreditation, it states:
Qualified, effective faculty members are essential to carrying out the mission of the institution and ensuring the quality and integrity of its academic programs…. Because student learning is central to the institution’s mission and educational degrees, the faculty is responsible for directing the learning enterprise, including overseeing and coordinating educational programs to ensure that each contains essential curricular components, has appropriate content and pedagogy, and maintains discipline currency.
Achievement of the institution’s mission with respect to teaching, research, and service requires a critical mass of qualified full-time faculty to provide direction and oversight of the academic programs. Due to this significant role, it is imperative that an effective system of evaluation be in place for all faculty members that addresses the institution’s obligations to foster intellectual freedom of faculty to teach, serve, research, and publish (p.17).
Shared governance and academic freedom for faculty are not rights or privileges–they are basic principles essential to the health of any institution of higher learning.
Okay, enough writing for today, Mrs. Winkler.
You got some teaching to do tomorrow. You need your sleep!
Haunted Hendo: An Anthology of Short Films Featuring Mountain Mysteries and Local Lore premiered last night on YouTube. Some of the 50, yes 50, cast and crew gathered at the college for a pot luck supper. We enjoyed watching the films and seeing all our hard work come together. We kept saying over and over again, “I can’t believe we pulled it off.”
It’s been a wild ride.
At the end of the spring semester last year, Jennifer Treadway, the head of the theater department, and I conceived of a series of short films focusing on local ghost stories and legends. In the summer, the director called together a core group of faculty, students, alumni, community members, and actor/producer/writer Z. Joseph Guice, our artist-in-residence, to write the scripts for the films to be included in the series. By the end of the summer, the scripts were written.
Early in the semester, Jennifer held group auditions for all films, casting students and community members, as well as assigning people to various filmmaking roles, including directors, assistant directors, cinematographers, editors, and general crew. With limited resources, including film equipment, the schedule for filming was carefully planned and all took on multiple roles. The schedule was tight and sometimes we didn’t think we would make it, but we did.
Although sometimes frustrating and difficult, what a wonderful learning opportunity for all of us, especially the students in the Acting for Film class and those in the Film and Video Production program. The end result is eight short films connected by some ghostly introductions.
Below is a link to the BRCC Theatre YouTube Page. There, you will find the playlist for Haunted Hendo. I wrote the screenplays for Boojum: The Musical and The Tourist. I directed the film my daughter wrote and edited called The Siren of the French Broad.
Once again I pushed things to the limit, but I am publishing the Fall~Winter 2021 edition of Teach. Write. on October 1, as promised. Wonderful work by frequent contributors and new writers as well. I am constantly amazed and humbled at the quality of the work that is sent my way and honored to publish the work of these fine writers, most of them teachers.
I started Teach. Write. because I know how much teaching composition has helped me improve as a writer and how writing for publication has helped me become a better teacher. I am so glad to offer opportunities for writing teachers, and students too, to see their work in print. So satisfying.
I will be talking about Teach. Write., my blog, podcast, and more during my workshop for the North Carolina Writers’ Network. It is an online workshop taking place Tuesday, October 19. Click here to see more information: The Big Share.
Another writing opportunity I have enjoyed is writing two screenplays for the anthology of short films being produced at my college–one comedy and one musical. The premiere of Haunted Hendo will be October 28 and afterwards the films will be streaming online. Don’t worry. I will be sure you all get the link!
Therefore, I will give you an idea of the wonderful things I’m doing that are keeping me so busy. There are some things that are not so wonderful, as you know if you are a follower. However, today is a day to stay positive, so here goes:
I have written a couple of screenplays for short films that will be produced in conjunction with Blue Ridge Community College’s Theatre Department’s fall production. It is called Haunted Hendo: An Anthology of Short Films about Mountain Mysteries and Local Lore. Here is a link to one of our trailers: https://fb.watch/7TETuggqRx/. The premier will be in late October.
I wrote one horror/comedy/musical called “Boojum: The Musical” and one ghost story called “The Tourist” for the anthology. I am also directing a music video with music written and performed by my daughter. So excited about this project that has all sorts of incredible collaboration among students, alumni, faculty, staff, and community members. A wonderful experience for the students in Acting for Film and Play Production, especially.
Quite an undertaking! But fun!!!! Just the kind of engaging education that gives students more than a piece of paper, offering real life, life-changing experiences. In addition, the films will be something to add to their acting and technical theater portfolios. Film students are also involved as cinematographers and editors, so they are getting real life experiences for their resumes as well. Plus, all the students are honing their crafts, stretching themselves artistically, and gaining invaluable soft skills as they collaborate with each other and communicate with the community.
Now that’s what I call workforce development!!! In a theater arts classroom!!!
I’ll be posting the link when Haunted Hendo is available online.
Another iron in the fire is the Fall/Winter 2021 edition of Teach. Write.: A Writing Teachers’ Literary Journal that will be launched on October 1. I’ve got a great edition in store for you, so come back and take a look!
I did not reach my goal for the next episode of CAMPUS: A Novel That Wants to Be a Musical. I had wanted to launch it on September 2, but my students come first, and they needed me. Also, I am making strides in improving my health, which helps me have the strength to serve my students better, be there when my family needs me, and lead a happier life. Pushing to get the podcast produced would have taken away from the regimen I am developing to stay healthier, so I had to put it off, but I am looking forward to working on it when time permits. I won’t make the same mistake of announcing a date, but I hope to have the next episode soon. I haven’t given up on my passion project! If you would like to listen to the existing episodes, follow this link: CAMPUS.
Then, there is this blog. The work I do here is becoming increasingly important to me. It allows me to have a voice, even if it is small and sometimes a bit whiney. I hope you will keep coming back to read more. I appreciate my readers. I am so grateful to all of the contributors to Teach. Write. as well as those who listen to my podel. You guys keep me going.
And to my teacher friends. Please know, no matter what level you teach or what subject, you are important to the world, and you are blessed in a special way because you have so many opportunities to change people’s lives for the better.
Busy trying to teach my heart out (which means writing my fingers to the bone since I teach completely online this semester), attending fantastic auditions for our drama department’s upcoming series of short films called Haunted Hendo (I am directing a script my daughter wrote, and she is directing one I wrote), and unfortunately, satisfying the economic and data gods (at least 1/3 of my job these days), so I do not have much time at all to write.
I must express my deep discontent with the state of higher education during this time, only a very small part that can be blamed on the pandemic. I will do so with one of the most romantic of British Romantics, Percy Bysshe Shelley. Take it away, Percy Bysshe!!!!
I met a traveller from an antique land, Who said—“Two vast and trunkless legs of stone Stand in the desert. . . . Near them, on the sand, Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed; And on the pedestal, these words appear: My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.”
Yes, Scarlett, I know. Tomorrow is another day.
And it’s the last day, August 31, to submit to the fall/winter edition of Teach. Write. Here are the submission guidelines. I will be glad to take a look at your work.
CAMPUS, I haven’t forgotten you, you silly little satirical novel that wants to be a musical and is now being podcasted. Thursday, September 2, is the goal to air Season 2, Episode 2, so look for the link here at Hey, Mrs. Winkler, and to all my teacher friends, Hang in there! It’s almost Tuesday, but Monday (Labor Day) is comin’!
That is about all I can say except very soon, I will have a new episode of CAMPUS: A Novel That Wants to Be a Musical and is now a podel (podcasted novel). Fasten Your Seatbelts. It’s going to be a bumpy episode.
Also, back with a couple more book reviews, AND there is still time to submit to Teach. Write: A Writing Teachers’ Literary Journal (deadline is September 1), so send in your work, teachers, since you have all that extra time on your hands. Remember, writing is therapy–get it all out!!! And then get back to the “business” of changing people’s lives forever for the good!! Look here for submission guidelines.
I can’t say what is going on, but it makes Mrs. Winkler quite peeved.
However, I will leave you with the lyrics to one of my favorite German folksongs taught to me years ago by my wonderful German professor Brunhilda Rowe during an intensive summer workshop when I was in undergraduate school:
Die Gedanken sind frei, wer kann sie erraten, sie fliegen vorbei wie nächtliche Schatten. Kein Mensch kann sie wissen, kein Jäger sie schießen mit Pulver und Blei: Die Gedanken sind frei!
Ich denke was ich will und was mich beglücket, doch alles in der Still’, und wie es sich schicket. Mein Wunsch und Begehren kann niemand verwehren, es bleibet dabei: Die Gedanken sind frei!
Und sperrt man mich ein im finsteren Kerker, das alles sind rein vergebliche Werke. Denn meine Gedanken zerreißen die Schranken und Mauern entzwei: Die Gedanken sind frei!
Drum will ich auf immer den Sorgen entsagen und will mich auch nimmer mit Grillen mehr plagen. Man kann ja im Herzen stets lachen und scherzen und denken dabei: Die Gedanken sind frei!
An English Translation
Thoughts are free, who can guess them? They fly by like shadows in the night. No person can know them, no hunter can shoot them with powder and lead: Thoughts are free!
I think what I want, and what delights me, still always quietly [well, maybe not] and as it is suitable [okay, I slip up some]. My wish and desire, no one can deny me and so it will always be: Thoughts are free!
And if I am thrown into the darkest dungeon, It is a wasted act because my thoughts tear all gates and walls apart: Thoughts are free!
So I will renounce my sorrows forever, and never again will torture myself with fanciful thoughts. In my heart, I can always laugh and joke and think all at once: Thoughts are free!
All the best to my fellow teachers whose hearts and minds are with their students and colleagues right now!! We have done what people thought could not be done, yet more is demanded of us now than ever. NEVERTHELESS, we are strong, we are resilient, and we will not only survive but thrive!!
I have been busy, as usual, but having loads of fun and enjoying my summer immensely. Last weekend I attended my fourth Squire Writers’ Workshop sponsored by the North Carolina Writers’ Network at Appalachian State University in Boone. I usually attend the fiction workshop, but this time I challenged myself with the creative non-fiction class taught by Zachary Vernon, an English professor at Appalachian State University.
Professor Vernon is an excellent instructor–knowledgeable, informative, and most of all, respectful of each writer’s work. I am working on a book about teaching, which my mother has inspired me to write. When I was visiting her in Alabama after her recent hospital stay and was talking about some of my work in my classes this past year, she said, “Katie, you should write a book about teaching.” How could I say no?
I took a chapter of the book in progress for critiquing at the workshop and received such encouragement as well as fantastic suggestions for improvement. Not only that, but I made new writer friends and reestablished friendships with writers I have met in previous conferences. I stayed in a dorm, ate in the cafeteria, drank beer at a popular student watering hole, ate dinner at a professor’s lovely home, and just had a great time. So good for the soul to be around people, other than my dear family and close friends, who encourage and support me.
If you do not know about the North Carolina Writers’ Network, then I encourage you to take a look. I have been a member for quite a few years and am now on the board. Even if you don’t live in North Carolina, you can take advantage of the many opportunities available to writers, including online classes. I am pleased that I have been asked to facilitate an online workshop about alternatives to traditional publication, including blogging, of course.
Click here if you would like more information about the network and the whole 21-22 online workshop series, including my session: “The Big Share: Alternative Forms of Publication in a Digital Age” (Multigenre).
Just a few days before the workshop, I taught 5th and 6th graders during the drama camp at my church. From casting to performance in 4 1/2 days. The camp was something I was, frankly, dreading but ended up enjoying. More about drama camp in another post.
Before that I had a stretch of not too much activity (thank the Lord), so I did some reading. First was Little Platoons: A Defense of Family in a Competitive Age. Again, my dear mother suggested this book to me. Our politics don’t always align, but as she read a review of this book to me when I went to visit, I thought it sounded interesting, and it was. Feeny is able to explain what I have long seen as a problem in American education–the emphasis on where children learn, using children as a way up the social ladder.
However, he does not vilify parents. Far from it. Of course, he discusses the role parents have, especially privileged ones, in pushing for their children’s entrance into elite kindergartens and private schools and then on into the most prestigious colleges and universities, but he explores at length what drives these parents and what the consequences are for less privileged students.
Feeney suggests that the institutions, through the admissions offices primarily, are perpetuating this class bias by increasing the competition and constantly changing the requirements for admission to make themselves look better.
When discussing the current admissions scandals, he says, “The incentives that drive the process leave us in our current unhappy predicament, in which everyone seems to acknowledge that college admissions has gone wildly out of whack, but the only people truly situated to make it better–the admissions officers of prestigious colleges and universities-keep introducing new ways to make it worse.”
Despite his indictment of admissions departments, Feeney acknowledges that the problems of our current educational institutions are a result of a cultural shift where a child’s education is no longer a means to an end but a constant series of wasteful competitions. “This happens,” he writes, “when competition becomes a self-fueling cycle, competition for its own sake, and it consumes more value than it generates.”
It is not only the elite in society who are generating this “dissipative rivalry,” to use a term Feeney borrows from his research. I see this clearly at the community college level–basing the success or failure of a college on the number of students recruited and retained long enough to “count,” encouraging high school students to take more and more college level courses without determining if the students are ready academically or psychologically for those classes, steering students toward business, STEM, and health-related programs instead of promoting all programs of a college. The list goes on and on.
You can see that Feeney’s book had an impact on me, and its more conservative approach to the problem in a strange way increased its veracity in my mind. We don’t have to be on the same political spectrum to agree that something’s rotten in American education today and that we need to work to change it.
The next book I will review is special to my heart because it is a gift from my only child. She is a music technician who loves manga and anime, especially horror. A few years ago I wrote a stage adaptation of Frankenstein, and Hannah created some of the music and sound effects for the show. She regularly searches the manga section at local bookstores for new horror titles and found this version of Frankenstein by celebrated manga artist, Junji Ito. The adaptation is more faithful than most versions I’ve read, especially at the beginning, and the art is simply astounding–truly imaginative and appropriately horrific.
Following Junji’s adaptation is a series of original horror tales, featuring a school boy, name Oshikiri. I enjoyed all of these tales, but my favorite was “The Walls.” Spooky. Spooky.
The best thing about this book, of course, is that it is a gift from my kid–not for any other reason except she saw it at the bookstore and thought I would like it. Pretty cool, huh?
Last book I finished reading before I got so busy is pure escapist fun–Worth Dying For, a Jack Reacher novel by Lee Child. Jack Reacher is an ex-military police officer who roams the country righting wrong, fighting evil, and working hard to stay alive. In this novel, Reacher finds himself in Nebraska, trying to solve the disappearance of an eight-year old girl.
I like that Child spends time with characters that are often simply glossed over in action thrillers, present just to give the hero someone to save. Not so in this the 15th Jack Reacher novel. Dorothy Coe, a woman in her 60’s who lost her daughter and her husband years before, is the typical grieving mother in expected and poignant ways, but she is also smart, brave, and tough. Since she is about my age, I kind of like this portrayal.
I’m still reading and stocking up on my titles for my trip to Pennsylvania, including the poetry books by my friends at the writers’ workshop and finishing Coyote Loop by my friend Charles Fiore, so be watching for more reviews. Oh, I hope to get another episode of CAMPUS out soon as well.
Working things out takes time. Here I am at 61, still trying to wrap my mind around exactly who I am and why I’m here. I thought that was something young people did. On the way to figuring that out, I got caught up in creating this crazy podcasted novel that I call a podel. CAMPUS: A Novel That Wants to Be a Musical. is a social satire about higher education in the South, and it’s a blast to do. I’m learning so much, screwing up a lot, but not caring, probably offending Lord knows how many people and not caring about that either.
I like it.
Last episode, one of my characters did a highly unusual striptease. Yes, HE did. In Episode 11, The Spooky Cat Head Biscuits, a Zombie band, perform at the club rush/advising/registration day, and during the performance, two of the fairy godteachers have to rescue Jack Spratt, a student who thinks math is beautiful, from the wiles of the devil, or rather a vampire, who tries to trick Jack into drinking hallucinogenic mushroom tea.
So, sometimes I’m a novelist/playwright/actor/singer/podcaster, writing about being a teacher, which I also am. And sometimes I am the editor of Teach. Write.: A Writing Teachers’ Literary Journal. It’s a little more normal, I think. I also like doing this work and would love to read your writing, especially if you are a teacher or you write about teaching. But I publish other types of work, too. Why not give it a whirl? I am accepting work until September 1 for the Fall/Winter 2021 edition. You will find the submission guidelines here,
Next time, I will be a blogger/book reviewer and talk about my latest summer read,
17 or so years ago, John planted a Japanese Maple in our front yard–one of my favorite gifts from him. About ten years ago we had the front deck rebuilt, expanded it, and added a cute bistro set. When John plants flowers every year, he creates the perfect spot for my summer reading.
One of the things I cherish about my work is having the summer’s off so I can spend more time reading and writing. I haven’t done as much writing as I had planned yet (I’m determined to get caught up before summer’s end), but I have done what is for me (I am a slow reader) a great deal of reading. Since last post I have read three more–one non-fiction, one German young adult fiction, and one popular suspense/sci-fi/horror/just for funsies fiction.
I thoroughly enjoyed Dusk, Light, Dawn, Anne Lamott’s collection of essays about dealing with difficult times and emotions, about growing older yet continuing to learn and grow. I’ve always enjoyed Lamott’s self-deprecating humor and often beautiful prose.
From the chapter “Lunch-Money Faith,” for example, Lamott discusses the importance of listening: “Here Elijah meets God, not in the usual special effects of the Exodus tradition not the roar of hurricane or flames, but in a still small voice. Jewish and Christian writers have seen in this a reminder of the importance of contemplation, of quietness, of listening….Growing up, learning. I am slowly making my way from a hypnotized engine of delusion and self-obsession to being a bit more real, a smidge more alive more often. I’ll take it. I am learning to live more often in reckless love” (106).
I like how open Lamott is about her failings, both past and present, not to dismiss them, but to demonstrate how living through dark times has shaped her for better or worse. She writes of learning to forgive herself and others, of the importance of loving and caring for people for no reason other than they are people, how that includes loving herself–Maybe it sounds Pollyannaish the way I’m describing it, but the book is definitely worth a read. It encouraged me, which is something I always need during my summer-reading-on-the-front-deck therapy sessions.
My sister-in-law Bettina loves to read. She frequently gifts me with books in German. My German is not very good I’m afraid, and I often give up pretty quickly on the books she gives me. She gifted me Eric-Emmanuel Schmitt’s lovely, bittersweet little book Oskar und die Dame in Rosa years ago, and this summer, determined to work on my rusty German, I finished reading it for real this time.
I’m so glad I did.
It is an epistolary novel made up of letters to God written by Oskar, a ten-year-old boy with a terminal illness. Die Dame in Rosa (The Lady in Pink) is a very old woman who is a volunteer nurse at the hospital, the oldest one, although I suspect that she may be an angel because she appears almost magically just when Oskar needs her most and brings comfort to the boy by suggesting that he write the letters, even though he, at first, does not believe in God.
His letters take us through the reality of life in the hospital but also through Oskar’s imagined life, one that he will never be able to live. It is a lovely book and not difficult for a rusty reader of German to practice on before moving on to a more difficult gift book from my thoughtful sister-in-law.
I took a break on the meatier books and read a fun popular thriller for my latest, another sci fi/thriller/horror book by Dean Koontz. I have enjoyed Koontz’ books since I read his first big blockbuster novel Watchers. I especially liked the genius golden retriever in that book. They made a movie of it, but don’t bother with that. The book is so much better. My good teacher friend once gave me a coaster that I still have on my desk at the school that says “Don’t judge a book by its movie.” Very true. Very true.
I have read many Koontz books since then, and although Watchers is still my favorite, I almost always enjoy a Koontz thriller, and I enjoyed The Other Emily as well, despite occasional gratuitous scenes of detailed meal descriptions–those irritate the heck out of me.
The author returns to his common theme of a basically decent person who is struggling with his past and is caught up in extraordinary, often supernatural, situations, battling his own demons as well as horrendous evil in a dark world.
Pure, horrific fun in many ways with terrific suspenseful passages and lively action, The Other Emily has its moments of deep insight and poignancy as most Koontz’ books do. At one point David quotes one of the most famous lines of Keats’ poem “Ode to a Grecian Urn”–Beauty is truth, truth beauty”–then goes on to say “Love without truth isn’t beautiful. It’s not even love” (336).
Then there’s more action and the usual twists and turns of a good Koontz suspense thriller. A fun summer read.
Now, what’s next?
It’s not too late to submit your work to my literary journal Teach. Write. I love to get the work of retired or currently working English composition teachers, but I accept work of all kinds from anybody. Submissions are open until September 1, so you have plenty of time. See the submission guidelines for complete information. I would love to hear from you.
Episode 10 of my podel (podcasted novel) CAMPUS: A Novel That Wants to Be a Musical is now available. This chapter features Dr. DAG, the chancellor of the Enchanted Campus, with its fairy godteachers, gnomes, dwarves, vampires, zombies and boojum (kind of like a yeti), among other assorted creatures, like teenagers, grumpy faculty members, and inept administrators. Dr. DAG has a regular afternoon liaison with his beautiful secretary Ms. Subowski, but it is NOT what you think.
If you have a poem, short story, or essay, why not submit it to my literary magazine, Teach. Write.: A Writing Teachers’ Literary Journal? You still have plenty of time! Submissions are open until September 1, for the Fall/Winter 2021 edition. See the submission guidelines for more information. I would love to read your work.