I received two rejections in one day yesterday, so it got me a little down, but I still worked on the novel anyway and got in more than my quota of words for the day.
Today, I found a rough draft I wrote during the Asheville North Carolina Writers’ Network conference last year and turned that little exercise into a nice flash fiction piece that I revised and submitted to a publication called Every Day Fiction.
While I was recording my submission on duotrope (my submission management service), I re-discovered a story that was published online in 2016 that I had forgotten about. The publication, The Flash Fiction Press, is now believed to be defunct, but my story is still there!! And there were some nice comments, too.
I added the story with a link to the Mrs. Winkler’s Writing page. It’s called “Ballade” and is inspired by Chopin’s Ballade, No. 3, in A-flat major, Op. 47 that I heard on my way home from seeing a play at Mars Hill College on Chopin’s 200th birthday.
Here is pianist Krystian Zimerman performing the ballade:
I will be adding more to this post in the near future to give more details about these two books, so stay tuned!!!
Also, updates on the novel and on Teach. Write.: A Writing Teachers’ Literary Journal.
I have had this book for years and started reading it but put it aside. I’m not sure why; perhaps the time is right for it now, but it is a marvel. So much of it is resonating with me now, especially as I am working on a novel that satirizes higher education in the world today. It’s like I’m doing accidental research.
One of my alma maters, Western Carolina University offered an online book club for alumni, so I joined. Why not?
This is the first book we are reading. I am about half way through, but I got distracted once I started reading Berry’s book. However, I am going to be excited to get back to it because I am definitely learning a great deal.
One of my favorite places to sit in the summer is on the front deck we had built a few years ago. Soon after it was built, my husband bought me a nice little bistro table and chairs that fits perfectly there, where I love to sit, sip ice tea, lemonade, or an occasional glass of wine, and read. Every now and then, I will look up to admire another great gift from my husband, our now full-grown Japanese maple.
I squirrel away books I don’t have time to read all year and wait for the precious months without teaching to sit on the deck and read. This summer is no different.
I have never been a fast reader, which may seem strange for an English teacher. Of course, if the writing is not particularly special or the characters are not deep, but the book has a good plot, I have been known to flit through it pretty quickly, but when I want to live with the author and the world she or he has created, ahhhh, what a pleasure to have the time to linger.
And that’s why I love our deck, my pretty bistro table and chairs, the cool Carolina mountain mornings, and the time my profession allows me to read.
So what is Mrs. Winkler reading this summer?
The first book I finished since my school duties have been over is The Last Ballad by Wiley Cash, who was one of the speakers at a North Carolina Writers’ Network Conference I attended a couple of years ago. I had heard him speak when his first book, A Land More Kind Than Home, was beginning to enjoy considerable success and had enjoyed that book, so I was eager to purchase The Last Ballad, especially after hearing him speak. I had The Last Ballad at the top of my stack to read this summer.
The Last Ballad is a historical novel, based on the 1929 North Carolina cotton mill uprisings and attempted unionization of the mills. The protagonist, Ella May Wiggins, is based on a real historical figure. The real-life Wiggins, the mother of nine, became a union organizer after four of her children died from whooping cough. She had asked to be put on the day shift so she could tend to her sick children but was denied. Cash’s book fictionalizes the story but is obviously well-researched and stays true to the time it was written.
Because my paternal grandmother worked in a cotton mill in Alabama from the time she was fourteen until she retired, part of that time as a single parent, this story particularly resonates with me. Some of my family members say that my great-grandfather had been part of an attempt to unionize the mill and was blacklisted, but I have been unable to verify that. Again, my personal connection to the work helped make it an especially meaningful read.
The historical novel is one of my favorite genres. If the book is well-researched and written, I love learning something new about history as I read an interesting and thought-provoking story with vibrant characters, like those in Wiley Cash’s book The Last Ballad.
Way back in July 2014, I wrote about my wonderful Uncle El, who introduced me to the works of Georgette Heyer. Although she is known mainly for her Regency romance novels, Heyer was also interested in history and wrote several novels outside of the early 19th Century time -period of most of her well-known novels, all of which I have read–some of them multiple times.
I thought I had read all of her books until I discovered The Great Roxhythe, Heyer’s 2nd novel, written when she was only 19-years-old. It takes place during the Restoration Period following the British Civil Wars, telling the story of the deceptively foppish Most Noble Marquis of Roxhythe. Like many of Heyer’s heroes, he is decried as a rake and a libertine, but to King Charles II, he is a most trusted and devoted friend, using his sullied reputation as a way to secretly serve the king.
Like The Last Ballad, The Great Roxhythe is impeccably researched and offers great insight into a time period that I am eager to learn more about. At the same time, the novel has the rich characters, witty dialogue, and insight into the culture of the time that I have always enjoyed about Heyer’s romances, but it is not typical of her work.
Jennifer Kloester, whose book Georgette Heyer’s Regency World, is a must read for anyone interested in the period, writes in the biography of Heyer that the author actually repressed sales of The Great Roxhythe, calling it “This immature, ill-fated work” (57).
Before I read Kloester’s biography, I supposed that Heyer’s distaste for the book was based on immature writing or poorly drawn characters, but the novel has neither of these. Since she was a stickler for accurate historical fact, perhaps she felt the research was not up to the more mature writer’s standards? But now that I am reading the book, I see things differently.
There is romance in the book, but not between a man and a woman. The romantic love shown so strongly is the kind of love men have for their leaders and leaders have for those men they must trust with their lives. The Great Roxhythe and the king share this kind of platonic love, but they are not the main ones.
It is Christopher Dart, the young man who becomes the secretary to Roxhythe, who is absolutely smitten with his Lord and expresses his devotion in the most romantic of ways. Kloester notes in the biography the manner of the relationship between Roxhythe and Dart did not seem to stir any controversy when it was published in 1921, but that in 1951 when it was republished against Heyer’s wishes, some may have started to see homosexual overtones in her work that Heyer did not intend and that this is what caused the author to reject the work (58).
I tend to agree; however, as I read more and more of the book, I am saddened that she felt the need to suppress her work for any reason. After all, if one studies and reads the literature and history of the 17th Century, it was not uncommon at all for older men to have proteges that they found beautiful (think Shakespeare’s sonnets). And those proteges had great love for the older men who guided them to manhood.
Heyer’s work, written when she was very young, is charming in its innocent approach to a close relationship between an older and a younger man. It may be naive, but I find it refreshing to read a book, written by one of the greatest romance novelist of the 20th Century, whose central romantic relationship is a platonic one–between two men.
Cash, Wiley. The Last Ballad. William Morrow, 2017.
Heyer, Georgette. The Great Roxhythe. Important Books, 2014.
Kloester, Jennifer. Georgette Heyer. Sourcebooks, 2013, pp. 57-58.
My summertime project is to complete a rough draft of my new novel, CAMPUS: The Novel That Wants to Be a Musical. Full disclosure. It started out as a musical, but then it decided that it wanted to be a novel but one that wanted to be a musical.
I know. It’s incredibly weird, but so am I, so it seems fitting. I am afraid, too, that it might offend because it’s horribly, deliciously satiric, a social and political satire of higher education in the South.
Many of my colleagues already know about the book. Back when it was a musical, I shared some of the ideas and songs with them. I have worked on the project off and on again for several years already, especially when I became particularly infuriated with perceived obstacles blocking my path to providing my students with the best education possible.
Oh, my. I can be so pompous at times.
My attitude is changing. Perhaps it was attending the National Council of Teachers of English conference with five of my fellow English instructors, talking about our work and seeing how passionate we all our about our work, but also enjoying each other as human beings–as fathers and mothers, as friends, like family.
My attitude is changing. Perhaps it’s all the months teaching in isolation. Did it take that for me to value the roles of others in my institution? Perhaps. Not that I didn’t appreciate it before, but now, wow, I appreciate it more.
My attitude is changing.
But my convictions have not.
So the play wanted to become a novel, but the novel did not want to lose all of the biting satire of the play because it’s just so darn fun. So, it didn’t. Still a satire. A kinder, gentler satire, perhaps (It hasn’t decided yet), but a satire nonetheless. And I’m still keeping the “I want to be a Nazi” song. I can’t help it. I just want to. And it’s my book, so I will.
But you say, Katie, how can you have musical numbers in a novel?
And I say, how can I not? I know it’s weird and different and really out there. It may not work, but who cares? It makes me happy. It’s creative. It’s about work but not about work. It is helping me vent my frustrations so I will be less likely to take them out on my colleagues, supervisors, and students. Plus, it’s more than just satire. It’s also an Appalachian fantasy with gnomes, elves, the Moth Man, Moon-faced people, hellhounds, wizards, fairy godteachers (yes, really), vampires, zombies, and at least one boojum (aka Bigfoot). It’s also a love story (actually more than one) and a glimpse into the heart and soul of an aging teacher (guess who).
Can you tell I love my book and don’t care that it’s goofy?
So, I’m writing this summer, and it’s time well spent.
Here is the first verse one of the songs:
“Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.” From “Ode to a Grecian Urn”~John Keats
Truth and Beauty
That’s all there is and ever will be
I see truth and beauty
When I look into her eyes
It’s been an amazing ride
Since I’ve met her.
My world has opened wide
I’ve only just met her
The Belle dame sans merci
This beautiful lady
And her eyes are wild.
Just to have her near
Just to see her face
Just her voice to hear
Just to feel her fingers brush my cheek
Nothing else remains but she
The belle dame sans merci
Have mercy, have mercy
Help me to see
“Beauty is truth, truth beauty,—that is all/ Ye know on earth, and all ye need to know.”
But I feel it, but I know
Truth and Beauty
I see it when I look into your eyes
Truth is beauty.
I see it when I look into your wild eyes
Beauty is truth, truth beauty
That is all there ever will be
I see truth and beauty
When I look into those wild, wild eyes
Are you a teacher writing this summer? I would love to read your work and consider it for my literary journal Teach. Write. Submissions are open for the 2020 fall/winter edition until Sept.1 See submission guidelines for more information.
One of the employees in our public relations department at our college had a great idea to encourage students during this difficult time by compiling short videos from faculty, staff, and administrators. I have been enjoying watching them as they’ve come out and was finally able to record my own, but alas, I was too late to be included in one of the compilations, so I decided to show it to you. I will also link this blog post to my students.
This video took only a few minutes to complete. I used the camera on my laptop, which automatically downloaded as an mp4 file, uploaded it to YouTube, copied the link, and pasted it on the blog. Wallah!
This little video may not make it to many students at my college to encourage them, but making it sure encouraged me for some weird reason.
If you haven’t had a chance to read the latest edition of Teach. Write., I encourage you to take a look:
April 1 is supposed to be the day I roll out the new edition of Teach. Write., but as you may have guessed, Mrs. Winkler has been busy moving her seated classes to online, learning new skills, researching, endlessly grading, and writing many, many e-mails and messages.
I hesitate to give myself another deadline as things are changing moment by moment, but I do better with deadlines, so Tax Day (what was Tax Day) is my new goal–April 15.
It will be worth the wait. I have writers near and far, including two excellent examples of writing by my own students!!
I have listened to my “Working Music” folder a great deal this week while I transition all my classes to online delivery. I chose to randomize my playlist and have been so amazed at some of the great music that has come up to soothe my soul.
Here are a couple of my faves:
The Canadian Chamber Chorus’s version of Tabula Rass by Don MacDonald. The translation of the words are beautiful and have spoken to me during this time and is a meaningful message to give my students right now:
In my arms, breathe.
Life without limits.
Light of day, dark night.
Sleep, dream, rest in safety.
With your heart, your soul, listen and know this truth:
Within you are boundless futures, if you are given freedom;
freedom to grow,
freedom to learn,
freedom to touch,
freedom to feel,
freedom to imagine,
freedom to love,
freedom to be loved.
Another great song, totally different style–I’m Alive by Dean Dillon / Kenneth Chesney / Mark Tamburino and performed by Kenny Chesney and Dave Matthews.
The lyrics are also very timely for my students and me. Go to this link to see them: I’m Alive Lyrics
So I take a listen. I take some big breaths. I make a cup of tea. I start grading more papers.
Ah, the teaching life!
The horrible looking ad that is probably showing below kind of ruins the effect of my post–thanks Word Press
A great deal has happened since my last post, and I have been busy converting my three seated classes to online (I already have two other online classes to maintain), readying myself to teach my classes from home. My transition has been easier than some because I have been teaching online for years and even prefer an online environment in many cases.
I know many of my students do not feel that way at all. All of my students are dealing with upheaval in their lives in so many ways, and now this. Therefore, I have taken some steps to help us move forward in our class. Here are some of the things I have done, am doing, and will do to help my students finish the semester successfully.
Communicate. Communicate. Communicate. Last week, when we were still meeting as a class, I started preparing my students for continuing as an online class. It has helped that I already have a robust online presence. For years, I have posted online resources, and all assignments are already collected and graded online. My students are already used to the online classroom environment in many ways. One of the first things I did was develop a survey to distribute through the LMS that asks a few simple questions about their readiness to continue online, their comfort levels as far as DL classes go, and most recent contact info. I added a comment box, where they could write any questions or concerns.
Be positive. In my communication, I am trying to be as positive as I can while acknowledging the obvious difficulties we are all facing. I try to emphasize that completing an education is more important now than ever and that strong writing and critical thinking skills, which have always been important, will be even more so in the days to come. I also tell them that I believe in them, and I do. They will face this crisis and move through it stronger than ever before. I tell them they have a resiliency that some of them don’t even recognize they have. My students are some of the best, strongest people I have ever met, and they deserve to get a quality education no matter what the delivery system.
Integrate interesting technology. I love educational technology and most of my students do, too, so have tried to add some interesting assignments over the years. They use PowerPoint and Google docs, of course, but we create infographics and annotate text electronically. I have created screencasts with my iPad to show them how to research databases using our state’s virtual library. I show them how to use Survey Monkey for conducting surveys of their fellow students. I do glossary assignments using our LMS that allow them to create study guides as a class.
I want to start using more interactive educational technologies that will allow all of my students to see and hear each other. Here are some that I have wanted to explore more, but haven’t had time to work with much until now:
Flip Grid—Allows teacher and students to ask and answer questions through a video format. Smartphone- and user-friendly.
Collaborate—Allows for synchronous or asynchronous meetings with students. Through our LMS, I can create Collaborate lessons within the course just like assignments
Lesson packages—our LMS allows us to create whole lessons where we can add our own discussion questions, quizzes, or other assignments within the lesson that the computer can grade and send to the grade book. These packages help track which students are actually viewing the material or not.
Zoom—Similar to Collaborate, it allows for real time instruction.
Google hangouts—I took an educational technology PD course a few years ago and experimented with Google hangouts, but I would like to use it more. Really great for tutoring sessions because I can share my screen
Google Maps—I have wanted to add a Google Maps segment to my signature travel project in Brit. Lit. Now is my chance to explore it.
YouTube—the live steaming feature will be useful.
So many more. I will blog about my adventures as we go along.
It is a brave new world, but I am determined that I will give my students the tools to navigate it successfully.