Working things out takes time. Here I am at 61, still trying to wrap my mind around exactly who I am and why I’m here. I thought that was something young people did. On the way to figuring that out, I got caught up in creating this crazy podcasted novel that I call a podel. CAMPUS: A Novel That Wants to Be a Musical. is a social satire about higher education in the South, and it’s a blast to do. I’m learning so much, screwing up a lot, but not caring, probably offending Lord knows how many people and not caring about that either.
I like it.
Last episode, one of my characters did a highly unusual striptease. Yes, HE did. In Episode 11, The Spooky Cat Head Biscuits, a Zombie band, perform at the club rush/advising/registration day, and during the performance, two of the fairy godteachers have to rescue Jack Spratt, a student who thinks math is beautiful, from the wiles of the devil, or rather a vampire, who tries to trick Jack into drinking hallucinogenic mushroom tea.
So, sometimes I’m a novelist/playwright/actor/singer/podcaster, writing about being a teacher, which I also am. And sometimes I am the editor of Teach. Write.: A Writing Teachers’ Literary Journal. It’s a little more normal, I think. I also like doing this work and would love to read your writing, especially if you are a teacher or you write about teaching. But I publish other types of work, too. Why not give it a whirl? I am accepting work until September 1 for the Fall/Winter 2021 edition. You will find the submission guidelines here,
Next time, I will be a blogger/book reviewer and talk about my latest summer read,
Episode 10 of my podel (podcasted novel) CAMPUS: A Novel That Wants to Be a Musical is now available. This chapter features Dr. DAG, the chancellor of the Enchanted Campus, with its fairy godteachers, gnomes, dwarves, vampires, zombies and boojum (kind of like a yeti), among other assorted creatures, like teenagers, grumpy faculty members, and inept administrators. Dr. DAG has a regular afternoon liaison with his beautiful secretary Ms. Subowski, but it is NOT what you think.
If you have a poem, short story, or essay, why not submit it to my literary magazine, Teach. Write.: A Writing Teachers’ Literary Journal? You still have plenty of time! Submissions are open until September 1, for the Fall/Winter 2021 edition. See the submission guidelines for more information. I would love to read your work.
One thing I love about creative work is serendipity. What a wonderful occurrence when things just fall into place. It was last summer when I was writing every day to finish the rough draft of CAMPUS when I started doing research to find the right piece of music that I imagined would inspire a fifteen-year-old girl, uninterested in the concert of classical music she was “forced” to attend.
On the Kennedy Center’s website, I found a short article, written for young people, about The Moldau, by Czech composer Bedrich Smetana. According to the article Smetana was inspired by his love for his country and for the Moldau River that runs through the Czech countryside and into Prague.
It is a musical poem, telling the story of the river’s journey as it encounters the people and landscapes that Smetana loved. There is even a musical description of whitewater rapids! (“Down by the River”).
Being a musical novice, I appreciated the simple language of the article that explained how the French horns and trumpets could represent hunters chasing deer through the forest and violins playing a polka at a wedding feast. Flutes become mermaids in the moonlight. Below the description of the piece was a video of The Moldau being performed at the Kennedy Center.
I knew I had found the piece that had inspired my character.
But it doesn’t stop there. Oh no. Now, I had to find a recording in the public domain that I could freely use. Would it be possible? Nothing ventured, nothing gained. I support creative commons for a reason, so that’s the first place I went and I wasn’t disappointed. A simple search led me to a recording of The Moldau in the public domain provided by Musopen
I learned that, I’m quoting from their website, “Musopen is a 501(c)(3) non-profit focused on improving access and exposure to music by creating free resources and educational materials. We provide recordings, sheet music, and textbooks to the public for free, without copyright restrictions. Put simply, our mission is to set music free.” I discovered all sorts of things that will help me with this project and more. The website even has a free streaming classical radio station that I’m listening to as I write this.
But there’s more!!! I uploaded the music into Audacity (another open source that I love) and then just started reading the lyrics to my song, “The Liberal Arts.” It was such an incredible experience—without planning or manipulating anything, the lyrics of the song just seemed to fall into place with the music. Is this what musicians feel like when they are improvising? Whatever it is, it’s a great feeling.
Now, full confession—the piece was too long for my song, so I did cut some out of the middle, so I could have the ending that I love so much. Sorry to you musical purist out there, but not really. I am creating, feeling free from the shackles of having to do anything any certain way. Good or bad, this podel is mine, and I love it.
May 7 will be the last day of the spring semester for me, and I am looking forward to a summer of reading and writing. The last few weeks have been filled with taking care of my mother who was hospitalized in March and then getting caught up with school work after taking time to help her. I still managed to get the Spring~Summer 2021 edition of Teach. Write out, though. Yay me. You can find links to both the online free version and order copies of the print version here.
However, I have had to put off working on CAMPUS, my podel (podcasted novel). I just haven’t had the time, but I have seven episodes in the first season that you can listen to here. My plan is to have the first episode of the second season published no later than Sunday, May 9. That is if all goes well. I have a lot of grading to do between now and then.
It has been a strange semester for me, not just because of the pandemic, but also because I have had so few students. Most semesters in the past few years I have had over 100 students in five or six classes. This semester I have half that number, and I am finally able to be the kind of writing instructor I wish to be. I am taking a professional development course about improving online instruction and in the course, over and over again, the material emphasizes the importance of personal relationship when teaching online.
How can this kind of relationship be developed when teaching so many students? Only when we begin to value the individual student over sheer numbers can we really begin to help our most needy students. I don’t know if I will be able to finish out my career teaching fewer students, but I know that if I can, I will be a better teacher, and my students will truly reap the benefits.
Change the subject
My mother and I were able to talk quite a bit once she was home from the hospital and started feeling better. I was working on one of my classes and describing some of my my methods to her. She said I should write a book about my teaching methods when I retire.
I kind of like that idea.
I have a great many plans for my retirement.
Dreaming of what I might do when I’m free keeps me going.
I don’t know how much I will be able to write between now and May 7, but I’ll be back, and so will CAMPUS.
Last ten days of classes begin tomorrow. Summer can’t come soon enough.
Another episode of CAMPUS is now available!! Click here to access all six episodes!
I wasn’t sure I was going to get out a new episode this week. I got kind of discouraged, feeling kind of down about the music part of this crazy podel project I’m doing. I have visions of what I want it to sound like, but I don’t have the musical ability or technological skills to make it happen, so Sunday, my normal day to publish a new episode, I just sort of gave up.
But yesterday, I had required conferences with some of my students. One young man who wants to be a nurse talked about taking difficult classes like anatomy and physiology along with two English classes AND working AND keeping his girlfriend’s children on track with online school work while she is at work. Another student works at a nearby hospital. She was tired because she had just gotten home, while her husband was leaving to go to work; he works at a hospital, too–2nd shift. She told me how she had Covid-19 a couple of months ago. She just received her second vaccine and the side effects have hit her hard. She had been told that might happen. You know, she still has gotten her work in on time and makes it to every online session that she can. Neither student has complained or offered excuses. They just keep on going.
I listened and felt ashamed. If they can persevere, then so can I. That’s why, after work, I went back to the drawing board and finished it. It’s not what I envisioned, but it’s from my heart–a heart that is thankful for the opportunity to teach these amazing people I call my students. This episode is dedicated to them.
In July 2000, then presidential candidate George W. Bush addressed the NAACP to discuss his plans for educational and economic reform, using the phrase “No Child Left Behind.” Despite how that infamous initiative turned out, the speech that introduced the idea was one of the best speeches I ever heard Bush give, maybe only second behind his speech at the Washington Cathedral after 9/11. Regardless of where you may fall on the political spectrum, George W. Bush’s call for educational equity should resonate with us all today.
Recognizing the continuing disparity between the rich and the poor despite the growing prosperity of the nation, Bush says, “Our nation must make new a commitment to equality and upward mobility to all of the citizens.” One of the ways to make this happen in Bush’s mind was to equalize educational opportunities for every American. That was the dream anyway. Introducing his plan, Bush refers to “the soft bigotry of low expectations,” of how we have become complacent in offering opportunities to all no matter what their position in society.
In the last few years of a long career as an educator, I find myself discouraged and even a bit despondent as we move ever away from the lofty goal set forward in Bush’s speech. In 2000, the community college was still a place where those, especially the traditionally underserved, could gain a quality education that would allow them to advance in society, perhaps gaining a two-year degree, qualifying them for a trade, or leading to the opportunities and rewards, both tangible and intangible, that come with further educational opportunities. The goal was not only to provide meaningful work through a real education but also to bring real meaning to their education apart from work, enriching their lives and their communities in the process.
However, a disturbing trend is increasing at alarming rates within our society, continuing its spread to our colleges and universities–the lowering of the bar for the sake of efficiency, and of course, cost effectiveness. Increased pressure from students, faculty, administrators, and society in general to make English classes easier. Decrease the requirements and the standard so students can get that piece of paper sooner. Make gateway English classes less rigorous (for their sakes, of course) because it is too hard for people who work, too hard for people with children, too hard for low income people, too hard for people who didn’t get a good high school education or who are still in high school or who have been out of high school for a while. We can’t expect OUR students to maintain Standard English in a college-level English class, can we?
Do you hear what I hear? It’s the soft bigotry of low expectations.
Do we expect less because it costs too much time and money to expect more? Do we not think our students are worth the effort to push for excellence in the name of true learning? We discriminate when we ask so little. It is demeaning and arrogant. Who are we to expect so little? In the Letter to the Romans Chapter 12, verse 3, Paul writes, “For by the grace given me I say to every one of you: Do not think of yourself more highly than you ought, but rather think of yourself with sober judgment, in accordance with the faith God has distributed to each of you” (New International Version). Are we, am I, thinking too highly of myself? Am I, are we, guilty of the bigotry of low expectations? Perhaps I am the chief of all sinners in this regard.
But I repent and encourage others in society to do so as well.
What are we really saying when we consider “meeting expectations” as equal to an A instead of the C it should indicate? Does our soft bigotry sound like this:
“It’s okay, Nondescript C Student, that you plagiarized the paper, even though I have provided sources, conducted classes on the subject, and provided workshops that you didn’t attend. You just didn’t know what you were doing. I see now that your academic dishonesty is my fault. I mean you work, right? You hate that job and need at least an associate’s degree to do what you really want to do for a living, but I get it. Who wants to really put in any effort to actually learn the subject when it’s a subject you are being forced to take and don’t enjoy at all? Yes, I think putting in some effort to actually read three pages in the text and view a five-minute video explaining in-text citations is a bit too much to ask when we are in the midst of a pandemic. I can’t expect you to have time with all that you are doing. I don’t really know what you are doing, but I know it must be way too much to find time for the education you say you want. You just want it on your terms, not your instructor’s, am I right?
“I’m probably not being flexible enough. Or explaining things well enough. Or maybe my online class is not designed properly. Or perhaps I am not considering your learning style sufficiently. In exchange for my poor pedagogy, let me just allow you to redo that paper. It won’t help you, but it will make me feel like I helped you, so I will feel better, and you will not feel frustrated and complain about me to my superiors, which will make them feel better. But first, let me mark every single error in the paper for you, so that you will not have to think about how to find problems in your writing and correct them. I mean, after all, you aren’t really going to need to know how to properly revise, edit, or document your essays because, I mean, really, how likely are you to go on and get your BA or BS?
“Besides, we need you to be trained for the type of job that people like us, and our children, don’t want to do. We need somebody to do these jobs. It will be easy with a little bit of training to find the type of employment that a person of your background is suited for. Do you even really need a liberal arts education for the kind of life you’re bound to lead? Why in the world should we as a society expect you to read and analyze a poem? Not that I would ever ask you to do such a thing. Read a whole novel by the fourteenth week of the semester? That’s unreasonable. You’re the first in your family to go to college AND you’re still a high school student AND you work AND it’s a pandemic. I can’t ask such a thing of you.
“Now, critically reading novels and poetry requires noticing small details as well as understanding figurative language (like sarcasm) and the nuance of language. That kind of deep reading, especially by authors outside of your demographic, leads to things like, I don’t know, developing empathy. But why would a person like you need to empathize with your fellow human beings during and after a global pandemic? Not really very practical, is it? Not with the economy in the shape that it is and people’s mental health deteriorating. I don’t want to inconvenience you or cause you more stress, so don’t let correcting a little ‘ole plagiarism infraction stand in the way of going to your low-paying, soul-sucking job. So, I am just going to ignore the little mistake of copying word for word from your source without quotations or in-text citation. I know you didn’t intend to do it. We’ll just forget it ever happened, shall we? It will be easier for all of us.
“And while I’m at it, I suppose I should have a meeting with you to help you make the revisions and edits that I have marked. Oh, you don’t have time for an in-person meeting at my appointment times and office hours? How about some other time? You don’t want to come to campus for an in-person meeting. How about a virtual one? A ten-minute phone call? Just don’t have the time? In that case, since you just need a C or above to pass on to the really important training that you will actually need in real life, let me just find some extra credit you can do to make up those measly eight or nine percentage points you need to have a C. (A person like you doesn’t need to know how to communicate clearly and effectively in English, do you? How will that help you get a job?)”
Okay, perhaps I am too carried away, but I had to get it out of my system. When I write in this satiric way, I hear the truth–too many of us who cling to our degrees, careers, businesses, and positions in society–who drive sedans and SUV’s, live in comfortable homes, enjoy financial security and a standing in society–too many of us who think so highly of ourselves are, in essence, only “insects on the leaf” as the Ghost of Christmas Present says, looking down on “our hungry brothers in the dust.”
And when, or if, our conscience is inconveniently pricked, we try to cover up our sin, by “making it easier” for the ragged rabble, requiring less and less and less of those poor, pitiful students. Sadly shaking our heads, we move to wipe every tear from their eyes, saying, “Well, really, what did we expect?”
HAPPY VALENTINE’S DAY! Another episode of CAMPUS: A Novel That Wants to Be a Musical is live on Spotify NOW!! And it includes, in true Valentine’s Day form, a love story!! Click here to access CAMPUS.
I am especially excited this week because I think this is my best episode ever! First of all, my daughter Hannah, who is a recent graduate of UNC-Asheville, earning her second degree, a BS in Music Technology, arranged, recorded, and performed Gabhaim Molta Brighde in Irish Gaelic for this week’s episode. Her BA was in Music with a Voice Concentration from Converse College’s Petrie School of Music. The value of her education, one in classic music and the other in advanced music technologies is truly apparent in her recording. I know what you’re thinking, but a mother gets to brag on her daughter on Valentine’s Day, and every other day, too, for that matter. Oh, by the way, she has a job IN MUSIC during a pandemic (not teaching), doing what she loves and was trained for. How do you like them apples?
I’m also hyped because it has been so much fun playing around with the technology that is making this dream of mine come true. This week, with the help of Audacity: free, open source, cross platform, audio software, I was able to record two songs and alter my soprano voice to sound first like a tenor and then a bass. It is a little freaky but totally cool. The second thing I did was download the sound effect of a shower running from freesound.org and add it to one of my recordings. I also laid down background music provided by Anchor, which calls itself the “easiest way to make a podcast,” and I believe it. Anchor is provided by streaming music giant Spotify as an open source podcasting platform. All of my episodes are published immediately on Anchor and Spotify as well as numerous other podcasting databases very easily and at no cost to me.
CAMPUS is my passion project, and I am doing it for fun, but I can also see all sorts of educational applications of the open source technology I am learning to use. I hope you will listen and tell others about my podel (That’s my word for podcasted novel.)
Don’t think I’ve forgotten about the other ongoing project I love, my literary journal Teach. Write. I have already accepted some incredible poetry and flash fiction for this issue, but there is still time to submit for the spring/summer 2021 edition. Submissions close on March 1, and the journal will be published on April 1. See the link above for submission guidelines.
Between work as a full-time English instructor at a community college and working on my newest project–podcasting my satirical novel CAMPUS, I haven’t had much time to blog, but soon I hope to squeeze in a post about my work with RISE, which stands for Reinforced Instruction for Student Excellence and has replaced developmental education in North Carolina. At first, I wasn’t too happy with the change (who likes change), but now that I am teaching RISE English classes and seeing some positive results, I see the advantages more and more. I also want to blog about teaching accelerated English composition classes–the good, the bad, and the ugly. Okay, tired allusion, but I’m tired, so it fits!
In the meantime, I hope you will listen to the latest episode of CAMPUS. Let me know what you think! However, no hate mail please. Satire is supposed to bite a little. Also, remember, THIS IS MY HOBBY. IT’S JUST FOR FUN, AND IT IS PURE FICTION! ANY RESEMBLANCE TO REALITY IS PURELY COINCIDENTAL.
Don’t forget that submissions for the Spring/Summer 2021 edition of Teach. Write. are being accepted until March 1. I would love to read your work. See above for the submission guidelines.
I have written a crazy book called CAMPUS–A Novel That Wants To Be a Musical. Okay, so written might be a bit misleading. I have the first draft of a crazy book.
Here’s the thing–I teach English full-time and online at a community college during a global pandemic. This next semester, I will teach three accelerated composition classes (16-weeks of material in 8-weeks), two 16-week composition support classes (I have only taught them once before; they will again be synchronous online because of the pandemic), and one 16-week British literature course, maybe. I have very little time to do the necessary revision, editing, and, most time-consuming, marketing that it will require. Plus, I have no time to get together with my composer to write the music for the book. You read that correctly–this novel wants to be a musical, so music there will be–one way or another.
Here’s the other thing–I’m 60-years-old, and I’m a darn good writer, in my mind, but I’m not much of a business woman. I don’t know anything about marketing and don’t really trust people who do. I’m not sophisticated or wordly-wise. However, I’m not naive enough to think my book will be published traditionally, especially not with times as they are, and I’m not interested in self-publication, not in book form anyway.
So what’s a busy old teacher to do?
Since my specialty is 19th Century British literature, perhaps it is appropriate that I have decided, like Charles Dickens, George Eliot, and Wilkie Collins, to serialize my novel; however, my satirical novel in parts will have a 21st Century twist. It will be a podcast….
Maybe it will be a blog or a vlog or something else entirely. I hope it will eventually be housed within a parody website. Oh, I have ideas, but not much of anything solid yet. All I know is that cutting the project into small bits, like I suggest to my students all the time, will allow me to pour my heart into teaching like I always do, but also make it possible for me to work on revising and editing the novel a little at a time and not wait too long to share it with people. Wait. Will anybody want to read it?
I’m the only one who needs to because within this world that I am going to create, no one gets to tell me what it looks or smells like, what the people in it need to be or think or feel. No one can criticize, ostracize, or minimalize me on this campus.
What happens there will be completely of my making, for good or ill.
Merry Christmas to me!
Note: If you would like to follow me on my little adventure, I hope to air the first chapter of CAMPUS on Sunday, January 10. More details to follow after Christmas.
Starting this new project does not mean that I have abandoned Teach. Write. If you are interested in submitting something, you can read submission guidelines here. The deadline for the Spring/Summer 2021 edition is March 1, 2021.
So don’t stop thinking about tomorrow. Okay, enough with the Fleetwood Mac allusions. I’m getting a little bit punchy. It’s been a whirlwind start after a quiet summer without the usual activities. Sad? Yes, in some ways. I miss being with my friends and extended family but also very healing–a time to focus on exercising, cooking, reading, and writing–for myself!!!
I did work a great deal on my classes, taking my knowledge of new technologies and integrating them into my already strong online classes. (No brag, just fact) Our distance learning staff has been doing a lot of course redesign training, and I am trying to put their ideas into practice. So far, students seem to be responding well to the changes.
Speaking of students, I need to get to it, but I will leave you with a link to a great article from Inside Higher Education about the positive side of remote learning and the incredible job some inspired faculty with a passion for education, like the people I am blessed to work with, are doing.