So don’t stop thinking about tomorrow. Okay, enough with the Fleetwood Mac allusions. I’m getting a little bit punchy. It’s been a whirlwind start after a quiet summer without the usual activities. Sad? Yes, in some ways. I miss being with my friends and extended family but also very healing–a time to focus on exercising, cooking, reading, and writing–for myself!!!
I did work a great deal on my classes, taking my knowledge of new technologies and integrating them into my already strong online classes. (No brag, just fact) Our distance learning staff has been doing a lot of course redesign training, and I am trying to put their ideas into practice. So far, students seem to be responding well to the changes.
Speaking of students, I need to get to it, but I will leave you with a link to a great article from Inside Higher Education about the positive side of remote learning and the incredible job some inspired faculty with a passion for education, like the people I am blessed to work with, are doing.
It was gratifying to read Meagan Lucas’ debut novel Songbirds and Stray Dogs because Ms. Lucas contributed her story “Daisy Mae Returns” to the Spring 2018 edition of Teach. Write (43-45). Something special about that for me as an English teacher, especially since Ms. Lucas is one as well.
Taking place in the early ’80’s, the novel tells the story of Jolene, who finds herself, pregnant, alone, and abandoned in a small coastal town. She makes her way to the mountains of Western North Carolina, where she encounters more loneliness and hostility until she meets someone as lonely and broken as she and learns to trust, love, and hope again.
I liked the way the story develops with the distinctive alternating perspectives of a woman and a man. Ms. Lucas effectively captures the struggle of how two ordinary people find a way despite loneliness and despair. Our world needs more of their spirited perseverance.
The book is published by Main Street Rag. Hope you will buy it and support a promising new voice in Southern fiction.
A very different book I finally finished is an extraordinary biography of Johann Sebastian Bach by German musicologist Christoph Wolff.
I started reading this book quite a while ago, but it is difficult reading for me because I am not that knowledgeable about music, and the book goes into great technical detail about Bach’s compositional style.
I am, however, knowledgeable about scholarly research and can recognize the incredible achievement this book is, giving readers a detailed look at Bach as performer, composer, scholar, theologian, husband, and father. Also, even though I didn’t understand it all, I was fascinated when Wolff explains Bach’s music in detail.
Well worth the time.
At the end of the last chapter, Wolff quotes from another Bach biography, the New Bach Reader, relating an anecdote about Mozart upon his first hearing of the motet Singet dem Herrn, ein neues Lied:
“Mozart knew this master more by hearsay than by his works, which had become quite rare; at least his motets, which had never been printed, were completely unknown to him. Hardly had the choir sung a few measures when Mozart sat up, startled; a few measures more and he called out ‘What is this?’ And now his whole soul seemed to be in his ears. When the singing was finished he cried out, full of joy: ‘Now there is something one can learn from!'”
And I did!
The text, in translation, of the aria:
God, take us to Yourself from now on! For without You we can accomplish nothing with all of our belongings. Therefore be our protection and light, and if our hope does not deceive us, You will make it happen in the future. Happy is the person who strictly and firmly abandons himself to You and Your mercy!
Now listen, dear reader, to Vocalconsort Berlin singing Sing to the Lord a New Song:
One of the employees in our public relations department at our college had a great idea to encourage students during this difficult time by compiling short videos from faculty, staff, and administrators. I have been enjoying watching them as they’ve come out and was finally able to record my own, but alas, I was too late to be included in one of the compilations, so I decided to show it to you. I will also link this blog post to my students.
This video took only a few minutes to complete. I used the camera on my laptop, which automatically downloaded as an mp4 file, uploaded it to YouTube, copied the link, and pasted it on the blog. Wallah!
This little video may not make it to many students at my college to encourage them, but making it sure encouraged me for some weird reason.
If you haven’t had a chance to read the latest edition of Teach. Write., I encourage you to take a look:
Preview of Fall/Winter Cover by ttroslien via morguefile.com
Teach. Write. is a one-woman show, but it is important to me, and I have some wonderful writers whose works I want to share with you soon.
However, life is life, so although my publication date for the fall/winter edition of Teach. Write. is September 1, today, I know I am not going to make that deadline. My hope is to publish no later than September 15.
Glad to offer Volume II, Issue 2 of Teach. Write.: A Writing Teachers’ Literary Journal. Once again, producing this journal right during this busy time of the semester, right before the premiere of my fourth play, has nevertheless been a joy. I feel like I get to know all of the writers who contribute by reading their e-mails, bios, and most of all, their writing. I thank them all for contributing, and I hope you will all enjoy this newest edition of Teach. Write.
The world premiere of Battered, a play about domestic violence inspired by Robert Browning’s The Ring and the Book, will appear April 11-14, at the Patton Auditorium of the Henderson County campus of Blue Ridge Community College in Flat Rock, North Carolina.
Over a period of two years, I have worked on the script along with the director and a hard-working cast and crew. My continuing collaboration with the head of the drama department allows us to provide real-world experiences for students, along with an opportunity to express themselves through their art.
At the latest professional development day, the keynote speaker talked about providing students with what he called peak moments, those educational experiences that provide lasting memories and shape our students’ future. My hope is that this production of Battered will provide such experiences for the cast and crew. I know it has for me.
Note to self: Choose a different due date for the next edition–don’t plan to get the issue out right during the first few weeks of the semester. Sheesh.
Anyway, the Fall/Winter 2018 edition of Teach. Write. is complete, and I think you are going to like it. I am very excited to once again include writers from near and far in the journal. Not only do we have writers from South Korea and California, but also from right here in good ole’ North Carolina and nearby Virginia. I am especially thrilled to include works by my colleagues at my own college!
It’s funny how things come together. My father was an English teacher, principal and veteran who at one time was stationed in South Korea, so I have included, along with whimsical poetry about college and grammar, an essay I wrote for this blog about my wonderful dad who died a few years ago. There is also a story about an an American in South Korea, an essay about using writing therapy to help veterans with PTSD, a story and poetry about losing fathers and living with the family left behind, and poetry, even a story about grandfathers and grandsons fighting in a war yet to come. I read and edited these stories as the country began mourning the loss of a great soldier, Senator John McCain.
It’s funny how things come together.
photo by kosseel at morguefile.com
For now here is the link to Teach. Write. Fall 2018_3 . I plan to have the print version ready to order by tomorrow and will include a link for those who would like to purchase one (I make no profit–sell at cost). I hope you enjoy it as much as I enjoyed putting it together.
A little while ago, I had a worse than usual incident with in-class cell phone usage. It was towards the end of class near the end of a semester when I was so distracted by a student’s texting that I asked him to put the phone away. He put it face down on the table in front of him. Less than a minute later, he was on the phone again. I asked him to put it away again. He put it face down on the table. I asked him to put it out of sight. He put it in his lap. I asked him to totally put it away, and he completely lost it, saying things I knew he would soon regret. (To his credit, he emailed me that evening to apologize.) I asked the student to leave for the day. He left, but reluctantly, and only after saying a few more regrettable things.
I have my own regrets: that I didn’t have a more clear-cut policy in the beginning of the semester, that I have been too loosey-goosey with inappropriate use of technology in my class. So, I have been drafting my new cell phone policy. It’s pretty hard core, at least compared to my previous policy. I know. I know. Some of you will think what a total marshmallow I must be, but like I told one of my teacher friends long ago, “You know what happens when a marshmallow sits on the shelf too long? It gets hard as a rock!”
So here’s the new policy:
Cell Phone Usage: Cell phone usage has become a major problem in my classes, distracting to the students who are texting or surfing, to those around them, and to me, making it harder for me to teach effectively. If I must consistently stop the class to discipline students on cell phones, I waste instructional time and risk embarrassing or angering the cell phone user as well as the rest of the students.
Therefore, I am instituting a stricter policy this year. Once class begins, phones are to be silenced and kept totally out of sight. Any student having a visible cell phone, holding, or using one during class may likely be asked to leave for the day, even if it is the first offense. If I am consistently having to ask any student to leave the class for violation of the cell phone policy, then I may submit a Behavioral Assessment Form to Student Services as described in the student handbook, which could result in further discipline, perhaps even suspension from the class.
What do you think?
Anyone want to share a policy that he or she has found effective?
I would love to hear from you. I have tried so many different things and nothing seems to work.
It’s not too late to submit to the Fall/Winter 2018 edition of my online literary journal for writing teachers–Teach. Write. Submissions are open until August 1. Look here for submission guidelines.