Teach. Write. Open for Submissions

product_thumbnailToday, Teach. Write. : A Writing Teachers’ Literary Journal, opens again for submissions for the Spring/Summer edition and will remain open until March 1, 2018. The Spring/Summer 2018 edition will launch on April 1. If you are, or ever have been, a teacher of writing, I would love to see your work and consider it for publication.

See complete guidelines here: Teach. Write. Submission Guidelines

***

I posted that the North Carolina Writers’ Network mentioned the first edition of my literary journal for writing teachers on their Hats Off page, but they also wrote a short blurb about the journal in their publication called White Cross School back on Sept. 12, but I just saw the article for the first time a couple of days ago and have to share:

http://www.ncwriters.org/whitecross/2017/09/12/teach-write/

logoW

Writing Conferences offer great opportunities to learn and hone new skills as well as spend quality time with fellow writers. Consider attending the North Carolina Writers Network Fall Conference in Wrightsville Beach, November 3-5.

***

I am swamped right now but hope to get to post again soon and do a little diagramming of sentences as suggested by my friend and fellow writer Joe Perrone, Jr. 

 

Advertisements

First edition of Teach. Write. to launch September 1

writerwritingframe-300px (2)

It is the perfect time for Teach. Write. to launch. As I begin my 23rd year of teaching at a small community college in North Carolina and work on producing the first edition of my first foray into producing a literary journal, I am reminded of how much I love my chosen professions. Since I was a little child I have wanted to be a teacher and soon after that dream was born, thanks to a marvelous English teacher named Mrs. Riskind, I have wanted to be a writer.

Now I am both.

To add editing to those two honored vocations exceeds all my expectations. It is modern technology that makes this journal possible and gives voice to those who deserve to be heard–English composition teachers. These are unique voices–surprising and refreshing. I can’t wait for you to read the short stories, essays and poetry of some special writing teachers.

It won’t be long now, so stay tuned!

From Prompt to Publication

writerwritingframe-300px (2)

My first stab at producing and editing a literary journal–Teach. Write. -is taking shape.

I have accepted quite a few wonderful submissions, but I am hoping to get some more before the August 1 deadline. If you are, or ever have been, a teacher of writing in any capacity, then I would love to see your work–prose or poetry–doesn’t have to be about writing, just writing by a teacher or former teacher. See the submission guidelines for more information.

I was inspired to start Teach. Write. because I have witnessed how writing for publication has enriched my teaching. I am more attune to the power of the revision process, more gentle with my criticism and more accurate, too. Because I am a working writer, I work better with writers who are just learning the process–it keeps me closer to them.

One feature included in Teach. Write. will be called “Write Your Own.” In this feature I would like to highlight writing prompts that  teachers have used successfully in class. To do that, I would like the teacher to not only include and explain the prompt, but also to write something based on their own prompt and submit that piece along with the prompt and explanation.

Here is an example of an explanation, prompt and flash piece that I created for my online British Literature I class:

I’m always trying to find ways to engage online students more effectively. It isn’t always so easy to do. A couple of years ago, however, I came up with a prompt for a discussion forum on Beowulf that has proved to be most successful. I wrote my own response to the prompt when I first posted as an example for my students and liked it so much that I tweaked it a little and sent it out into the cold, cruel world. After a couple of rejections, an online fantasy publication–Mirror Dance–accepted it for publication. I was quite pleased. See the results here: Waiting for Beowulf

The Prompt

The early Anglo-Saxon people were great storytellers. The story of Beowulf, as you saw in the BBC film this week, began as oral tradition, told and re-told around campfires and in great halls for decades, even centuries, before it was finally written down in the form we know it.

Americans are great story-tellers, too, especially here in Appalachia where many of us, including me, have Anglo-Saxon and Celtic blood coursing through our veins. For this assignment I’m going to let you tell part of the Beowulf story your way. Let’s get started:

Directions:

  • Choose one of the scenes you read in Assignment 2.1:
    • First Attack
    • Fight with Grendel
    • Fight with Grendel’s Mother
    • Fight with the Dragon
    • Beowulf’s Funeral
  • Review the scene so you are sure of the plot.
  • Rewrite the scene or a part of the scene from a specific character’s point of view–For example–write the scene of the first attack from one of the surviving men’s point of view or tell it from one of the women’s point of view. Your scene should be one or two well-developed paragraphs in length (seven to ten sentences per paragraph). It may be longer if you are inspired.
  • Post your scene, illustrated by an internet picture you’ve found. See my post to get an example of what to do.
  • Post a thoughtful response to either my sample post (if you are the first one to post) or one of your fellow students’ posts. Take a look at my sample response to get an idea of what I mean by thoughtful response. Also, look at the grading rubric in the Joule Gradebook to see how I will be grading this assignment.
  • Have fun with this assignment!

    The Post and Sample Response

  • stories_of_beowulf_water_witch_trying_to_stab_beowulf

    By J. R. Skelton [Public domain], via Wikimedia Commons


    Waiting for Beowulf

    by

    Katie Winkler

    Come my beauties, writhing sea dragons and serpents, monsters with milky eyes, slouching on slopes by the cliff. Come greet our visitors–the loathsome King Hrothgar and his fiendish followers. And Beowulf, the son-killer, watch him don his war-gear, showing no fear. I will give him cause to tremble, cause to repent how he rent the arm of the monster-child, left him to die like a dog, denying a god the honor of a swift death.

    See the man take up Hrunting, the fool, thinking he will be victorious, boasting to his lord of its great strength as he comes to meet me in my own abode. He will swim to me through the depths, with great and mighty strokes, swim to my home some call a hellish turn-hole. Here he will sling the mighty sword. Its decorated blade will come down singing and ringing. Singing and ringing. But it will not touch the swamp-thing from hell. It will refuse to bite, and then this hag, this witch, shall take her revenge.

  • Response:
    • This creative response shows a good understanding of the scene in Beowulf that depicts the fight with Grendel’s mother. The author includes references to the description of Grendel’s mother in the original work as well as the underwater cave in which she lives. Also interesting is the use of kennings–compound words like war-gear, son-killer and turn-hole. Kennings are common in Anglo-Saxon poetry. Finally, it is interesting to see the story from the creature’s perspective. She is portrayed more as a vengeful mother who has lost her beloved son than a fiendish monster. The illustration is appropriate as well, showing that the illustrator obviously read and/or studied the original work before creating the artwork. Note: I used a different illustration in my post but could not include it here due to copyright issues.

Student Response to the assignment has been positive.

Most students respond well to Beowulf anyway. It is just such an exciting “action hero” story, but this prompt has helped many students take their studies a step further and start to explore the style and artistry of the poem as well as plot and character.

So if you have a prompt you really love, Write Your Own, and submit it and share your good idea with other teachers and writers.

Shameless Plug

 

unbrokencircleOne more thing before I say good bye. I have a story in this marvelous little anthology: Unbroken Circle: Stories of Cultural Diversity in the South edited by Julia Watts and Larry Smith, published by Bottom Dog Press. You can buy a copy at the Bottom Dog Press website or on Amazon. Print and Kindle editions are available.

Here is what Karen Salyer McElmurray, author of Surrendered Child, said about the book: “In turbulent times, what we need is possibility, and in this rich gathering of diverse voices, Watts and Smith give us just that….These are stories and essays about the blues, about poverty, about families lost and made. Unbroken Circle is about broken and unbroken lives, and ultimately, hope.”

 

Teach. Write. Deadline Extended

Are you a writing teacher who loves to write? Do you write responses to your own writing prompts? Is writing for publication something you have done or dream of doing?

If your answer is yes to any of these questions, then I want to see your writing! The premiere edition of Teach. Write. : A Literary Journal for Composition Teachers is beginning to take shape. I have accepted several impressive creative non-fiction essays and poetry, but I would love to have more, especially flash or short fiction. Therefore, I have extended the submission period to August 1, 2017.

If you are teaching or have taught English composition at any level in any setting, then I want to read your work.

See the page Teach. Write. Submission Guidelines for more information and….

writerwritingframe-300px (2)

Looking Glass Rock Writers Conference

IMG_1074

School’s out for summer, so I’m here, sitting on the front porch of the admin building that you see in the picture above on the campus of beautiful Brevard College in Brevard, North Carolina, to attend the Looking Glass Rock Writers Conference. I will be attending fiction workshops lead by  Jane Smiley, author of the Pulitzer Prize-winning novel A Thousand Acres.

Attending at least one writers conference each summer has become one of my goals, and LGRC falls at the perfect time, right at the beginning of my summer. My hope is that this conference will jump start my ambitious writing plans for my time off teaching. My wish is to finish the novel that I will be working on here at the conference AND complete my new play, an adaptation of Robert Browning’s “Ring and the Book.”

As if that isn’t enough, I will also be launching my literary publication, Teach. Write. In September. I am still accepting work for the venture, so if you are, or ever been a teacher of English composition, then you are eligible to submit to Teach. Write. 

Go to this link for more information: Teach. Write Submission Guidelines. Deadline for submissions is July 1. I would love to see your work.

 

IMG_1068

English Lesson

(Lines Composed after a Bodaciously Bad Day)

by Katie Winkler

A comparative–

Better than before.

Better than this.

Better than that.

Better than some.

Use it in a sentence, please.

When will it be better?

I have been so much better.

Only you can make it better.

Only you

It’s an adjective, dear.

See, here–

Better times

Better rhymes

Better ways

Better days

Simply good is only an adjective.

And the Best is so superlative.

But

Better

Is

Comparative–

It is

Somewhere in Between.

******

I know my job gets me down sometimes, like today, but honestly, what do I have to complain about? I get to teach people how to be better writers, read, study and talk about great writers as well as write for my own pleasure–for a living. Is this a great country or what?

Then, there are days like today. But, the day is almost over, and I survived. I’m sitting with the ones I love the most, our little cat snoozing on the sofa. Plus, I just wrote a little poem. It’s nothing special, but I like it because I feel at peace now and better than I have all week. Better.

Hatcher Garden with Hannah 017

Me at Hatcher Gardens in Spartanburg, SC–April, 2015

******

Are you a writing teacher? Do you write when you have had a bad day, or is writing the last thing you want to do when you come home from work? I want to know! Please share with me your experiences as a writing teacher–the frustrations and the victories, the writing you do just for fun, to release the tensions of the day–whatever you have to share. If I think it’s right for my new online literary journal, Teach. Write. I will publish it in the Fall 2017 premiere.

Submissions are open now until July 1, so if you don’t have time to write during the school year, you’ll still have time to submit in the summer. Check out my submission guidelines, and I hope to hear from you soon!

Process, Not Plagiarism

my workI created a wiki on wikispaces for my professional development class. I call it Process, Not Plagiarism. Here is a link if you’d like to see it: Katie’s Wiki (My apologies for the Wiki not being open before. I have changed permissions, so you can now see the wiki.)

This is a subject I’ve thought a great deal about in my 27 years teaching and am convinced that the best way to prevent plagiarism is to engage students in the process and observe them throughout it.

The subject of plagiarism detection software came up on my wiki and this was my answer:

It is good to let students know about and learn how to use plagiarism detection software, but it is far from the answer to the plagiarism problem in higher education. First of all, more and more students are learning how to “beat” plagiarism detection software. Here is an article in Times Higher Education by Hannah Fearn from back in 2011 about how easy plagiarism software is to beat: “Plagiarism can be beat with simple tech tricks.”

I have never been a huge advocate for plagiarism detection services anyway because while the software does a decent job of detecting word-for-word plagiarism, it doesn’t do anything for the bigger problem–lack of proper attribution. Students often think that if they use quotation marks and cite quotes then they are home free, and sometimes they think if they re-write in their own words then they don’t need attribution because the software won’t pick up the plagiarism.

Secondly, and most importantly in my mind, emphasizing the process allows me the time I need to encourage students to choose a topic they are truly interested or even passionate about. When students become engaged in the process and truly want to learn about it instead of simply completing a project, then the results can be more than satisfactory–they can be life-changing.

More on this topic later. .

***

If you teach or have taught English composition at any level, please consider submitting to the premiere edition of Teach. Write, a literary journal for writing teachers. The submission guidelines can be found at Teach. Write. Submission Guidelines, and I will be accepting works of poetry and prose until July 1. The first edition will come out in September.